Thursday, January 29, 2026

Remembering A Quick Trip to La Segunda and a Green Suit

Copying our Chicano parents' 1940's style into the '60s

                                                                             

Even cassettes still available at la secunda
   
  
      As a kid, I remember my grandmother and Spanish-speaking Mexican relatives calling it, “La Segunda.” My Mexican American/Chicano parents called it, the Second-hand, Thrift, or Used Clothing Store, even though it carried more than just clothes. I remembered this, out of the blue, during one of my morning cruises when I passed no less than four thrift stores in about a five-mile radius on L.A.'s tony westside. That’s more establishments than Mc Donalds’, Burger King, or even Pollo Loco.

     I’ve been going to thrift stores since the 1970s, when my generation didn’t want to get caught wearing anything new or trendy, rebelling against the establishment's department stores. Teenagers and young adults, rich and poor alike, dressed like laborers, farmers, and grannies. We went for faded jeans, khakis, sailors' bellbottoms, t-shirts, tank tops, worn Pendletons, army or jean jackets, cowboy or work boots, stuff like that, pretending we were “all country,” even in the suburbs. Of course, many Chicanos weren't pretending, except maybe the guaraches and sarapes went a bit too far. That was us, unapologetically introducing our culture's working-class garb onto college campuses.

     The segunda carried plenty of that, including furniture, books and records, at the lowest prices. That it was all “truly used" didn’t make any difference. Once you washed the clothes, they were good as new. A 1960s-70s apartment, for instance, wouldn’t have the newest furniture or consoles from Sears or Montgomery Ward, like our parents’ generation, proud of assimilation. My generation wanted to keep a certain Mexican identity, whatever that meant. We weren't really sure. A lot of us were barely able to speak Spanish correctly.

     We recycled milk cartons, cinder blocks, and pine planks for end tables or wall and book shelves. We liked sitting on old, comfortable sofas, sarapes draped over the back, large pillows tossed on a rug, rattan chairs purchased at Pier 1, Imports, a colorful charro sombrero on the wall, potted plants in woven macrame hanging from the ceiling, making a statement. What? It wasn't really clear.

     Of course, all that changed when we got real jobs, a decent salary, married, and started having kids. Me? I hung on to the old ways into the 80s. Today, I still go into thrift stores. I recently picked up a pair of JBL book-shelf speakers, perfect sound. Seems like everybody is getting rid of their stodgy stereos and big-ass speakers and streaming music through devices smaller than a tissue box. A lot of thrift stores are filled with quality stereo equipment.

    That got me to thinking about the time I landed a position as dean at a local community college. I’d already paid my dues, working in administration at two UC’s and a state university, as well as five-years of teaching. My go-to clothes were beige khaki’s, polo shirts or powder blue dress shirts, tie, and dark blue blazer.

    So, I was hanging out with a friend, a painter by trade. I’d done my time with manual labor in my youth, before I finished my university degrees. We were talking and watching a game on television. Who knows what game, depending what was in season. I told him I had to go to Washinton D.C. for a conference and visit legislators who sat on the Higher Education Committees, to twist their arms about letting loose of more funding for colleges and universities. I told him I needed to go buy a suit. A blue blazer, tie, and kakis wouldn’t cut it on the "Hill."

     I asked if he wanted to go with me, to keep me company while I looked at suits. He agreed. We hopped into my car and headed out. He asked where we were going. I retorted, “La segunda.” He burst out laughing. I told him why spend hundreds of dollars on a suit when I’d only wear it once, maybe twice. I hated suits. I wasn’t in the Willie Brown, Antonio Villaraigosa camp, wearing form-fitting custom-made Italian suits. It wasn’t even about the money. If I wanted, I could spring for a $1,000 suit, but it went against my values. He listened, chuckling the whole time, thinking I was jostling him. “Come on, really, where are we going,” he asked, “Nordstrom, Macy’s?”

     He thought I was taking the joke too far when I pulled into a thrift store parking lot on Santa Monica Boulevard, in West L.A., near where he went to high school. When I stepped out of the car, he stayed put. “Alright, I get it,” he said, or something to that effect. “You can stop with the joke.”

     “No joke. They’ve got suits, and cheap.”

     Reluctantly, he followed me into the store, suspicious, not wanting to get caught up in my teasing, the butt of my joke, like waiting for me to say, “Ah! Got you.”

     Once you get past the musty smell in the clothes area, they really do have some nice clothes. I even saw a few Mercedes, Lexus, and BMWs in the parking lot, hip shoppers coming down from Brentwood to find bargains on named brands.

     Each time I pulled a suit from the rack, he kept his eyes peeled, waiting for me to pull the trigger, to catch him in my trap. It didn’t take but fifteen minutes for me to find a dark green suit, made in New York, a brand I knew carried some weight. “I’m going to try this on,” I told him.

     I found a changing room, and, even to my surprise, it fit perfectly, pant waist and length, like it had been waiting for me. I came outside and stood in front of the mirror. “What do you think?”

     He cocked an eye, afraid to commit. Eventually, he said, “Looks good, actually.”

     “Yeah, right. I’m taking it.”

     I showed him the price tag hanging from one sleeve, $12.00. “How can you beat that?” I said, more of a statement than a question.

     He shook his head, still not getting himself to believe what he was witnessing, like I was about to say, “Fake! Let’s get out of here and go to a real suit store.”

     I walked to the cash register and placed the suit on the counter. I took out a twenty-dollar-bill. The woman at the register said, “Ah, your lucky day. It’s on sale, fifty percent off." She folded the coat and trousers and put them into a plastic bag. She gave me back fourteen dollars. We made a quick exit to the parking lot, passing people entering the store, and got into my car. On the drive home, my friend kept shaking his head, not sure what to believe, that I'd drop six bucks on a joke and still go to a real suit store, that I was cheap, and lucky.

     I wore the suit to D.C., met with legislators and toured the capitol, attended a conference, lunches, and dinners, proud as punch in my snazzy dark green suit, looking like it had been tailor made, not one other suit in the bunch “out-suiting” me. I even got a couple of compliments.

     It stayed in my closet for years. I never had the need to wear it again, as I switched back to khakis, powder blue shirts, and dark blue blazers. Somewhere along the line, I guess I took it back to la segunda, to give someone else a shot at wearing it.

Wednesday, January 28, 2026

American Library Association Award Winners 2026


For a complete list of ALA awards winners or to watch the announcement ceremony visit, https://www.ala.unikron.com

 


Pura Belpré Pura Belpré Awards




Pura Belpré Awards honoring Latino writers and illustrators whose children's and young adult

books best portray, affirm and celebrate the Latino cultural experience.


Belpré Children’s Illustration Award

“Popo the Xolo,” illustrated by Abraham Matias, written by Paloma Angelina Lopez and

published by Charlesbridge.


Belpré Illustration Honor Books

“A-Ztec: A Bilingual Alphabet Book,” illustrated and written by Emmanuel Valtierra and

published by Arthur A. Levine, an imprint of Levine Querido


“The Invisible Parade,”illustrated by John Picacio, written by Leigh Bardugo and John Picacio and published by Little, Brown and Company, a division of Hachette Book Group, Inc.


Belpré Children’s Author Award

“The Pecan Sheller,” written by Lupe Ruiz-Flores and published by Carolrhoda Books, an imprint of Lerner Publishing Group, Inc.


Belpré Children’s Author Honor Books

"A Hero’s Guide to Summer Vacation," written by Pablo Cartaya and published by Kokila, an

imprint of Penguin Random House


“The Island of Forgotten Gods,” written by Victor Piñeiro and published by Sourcebooks Young Readers, an imprint of Sourcebooks Kids


“A Sea of Lemon Trees: The Corrido of Roberto Alvarez,” written by María Dolores Águila and published by Roaring Brook Press, a division of Holtzbrinck Publishing.


Belpré Young Adult Author Award

"On the Wings of la Noche," written by Vanessa L. Torres and published by Alfred A. Knopf, an

imprint of Random House Children’s Books, a division of Penguin Random House.


Belpré Young Adult Author Honor Books

“Rosa by Any Other Name,” written by Hailey Alcaraz and published by Viking, an imprint of

Penguin Random House.


"Silenced Voices: Reclaiming Memories from the Guatemalan Genocide," written and illustrated by Pablo Leon and published by HarperAlley, an imprint of HarperCollins Publishers. 


“The Story of My Anger,” written by Jasminne Mendez and published by Dial Books, an imprint of Penguin Random House.



Coretta Scott King Book Awards




Coretta Scott King Book Awards recognizing an African American author and illustrator of outstanding books for children and young adults.


King Author Award Book

“Will’s Race for Home,” written by Jewell Parker Rhodes, is the King Author Book winner. The book is published by Little, Brown and Company, a division of Hachette Book Group, Inc.


King Author Honor Books

“The Incredibly Human Henson Blayze,” written by Derrick Barnes and published by Viking, an imprint of Penguin Random House.


“The Library in the Woods,” written by Calvin Alexander Ramsey, illustrated by R. Gregory Christie and published by Carolrhoda Books, an imprint of Lerner Publishing Group, Inc. 


“Split the Sky,” written by Marie Arnold and published by Little, Brown and Company, a division of Hachette Book Group, Inc.


King Illustrator Award Book

“The Library in the Woods,” illustrated by R. Gregory Christie and written by Calvin Alexander Ramsey, is the King Illustrator Book award winner. This book is published by Carolrhoda Books, an imprint of Lerner Publishing Group, Inc.


King Illustrator Honor Books

"André: André Leon Talley–A Fabulously Fashionable Fairy Tale," illustrated by Lamont O’Neal, written by Carole Boston Weatherford and Rob Sanders and published by Henry Holt and Company, an imprint of Macmillan Publishing Group.


"City Summer, Country Summer," illustrated by Alexis Franklin, written by Kiese Laymon and published by Kokila, an imprint of Penguin Random House.


Coretta Scott King/John Steptoe New Talent Author Award

Arriel Vinson for “Under the Neon Lights,” published by G.P. Putnam’s Sons, an imprint of Penguin Random House.


Coretta Scott King – Virginia Hamilton Award for Lifetime Achievement

Kadir Nelson is the winner of the Coretta Scott King – Virginia Hamilton Award for Lifetime Achievement. The award pays tribute to the quality and magnitude of beloved children’s author Virginia Hamilton. Nelson is a renowned artist and storyteller whose work as both author and illustrator appears in over 30 children’s books. He has received numerous honors for his contributions to children’s literature, including the Caldecott Medal, Coretta Scott King Illustrator Award, Robert F. Sibert Medal, and multiple New York Times Best Illustrated Book distinctions.



John Newbery Medal




John Newbery Medal for the most outstanding contribution to children's literature. 


“All the Blues in the Sky,” written by Renée Watson and published by Bloomsbury Children’s Books, an imprint of Bloomsbury Publishing.


Newbery Honor Books

“The Nine Moons of Han Yu and Luli," written and illustrated by Karina Yan Glaser and published by Allida, an imprint of HarperCollins Publishers.


”A Sea of Lemon Trees: The Corrido of Roberto Alvarez," written by María Dolores Águila and published by Roaring Brook Press, a division of Holtzbrinck Publishing.


”The Teacher of Nomad Land: A World War II Story," written by Daniel Nayeri and published by Arthur A. Levine, an imprint of Levine Querido.


”The Undead Fox of Deadwood Forest," written by Aubrey Hartman, illustrated by

Marcin Minor and published by Little, Brown and Company, a division of Hachette Book Group, Inc.



Randolph Caldecott Medal




Randolph Caldecott Medal for the most distinguished American picture book for children.


“Fireworks,” illustrated by Cátia Chien, written by Matthew Burgess, and published by Clarion Books, an imprint of HarperCollins Publishers.


Caldecott Honor Books

“Every Monday Mabel,” illustrated and written by Jashar Awan and published by Simon & Schuster Books for Young Readers, an imprint of Simon & Schuster Children's Publishing.


“Our Lake,” illustrated and written by Angie Kang and published by Kokila, an imprint of Penguin, Random House.


“Stalactite & Stalagmite: A Big Tale from a Little Cave”, illustrated and written

by Drew Beckmeyer and published by Atheneum Books for Young Readers, an imprint of Simon & Schuster Children's Publishing.


“Sundust,” illustrated and written by Zeke Peña and published by Kokila, an imprint of Penguin Random House.



Tuesday, January 27, 2026

From the Ashes to Renewal: Poetry in Altadena

Poets Read for Altadena Strong

Michael Sedano

The afternoon of poetry marked the one year anniversary of the ruination of Altadena. The Eaton Fire destroyed homes and dreams and awakened a spirit calling itself “Altadena Strong.”

That strength showed its face in poems and presentation at the Altadena main library when Altadena Co-Poets Laureate Sehba Sarwar and Lester Graves Lennon hosted “From the Ashes to Renewal: Voices of Resilience In Altadena.”

Featured readers include Sesshu Foster, Robin D.G. Kelley, Elline Lipkin, Roberta H. Martinez, Andrew Wessels, Ruth Nolan, and Désirée Zamorano. Special guests were emerging writers, Pasadena High School students, Keily Sahagun and Emilia Cabrales. Open Mic readers include Susan Auerbach, Natalia Hinojos, Jerry Nashel, Beverly Lafontaine, Mary Fitzpatrick, and Jenari.

This was the final reading in the space. The building will be renovated for a year and future readings in the popular series are scheduled for local sites. On February 28 from 2-4, Loma Alta Park Gym hosts “Rooted In Us: Celebrating Black Writers and the Legacy of S. Pearl Sharp.” The same site hosts the March 28 reading, “When We Gather, We Heal, Indigenous Voices in Poetry.” Capping the Co-Laureates’ year is “Poetry & Cookies Twentieth Anniversary Book Festival,” at Altadena’s Bob Lucas Branch Library.

On February 21, an important workshop from 11-1 at the Loma Alta gym: “To Submit or Not, and Where and When with Lynne Thompson.” Lynne Thompson was the 4th Poet Laureate for the City of Los Angeles.

All readings are livestreamed at youtube.com/AltadenaLibrary.

Featured Readers:
 
Sehba Sarwar, Co-Poet Laureate 

Lester Graves Lennon, Co-Poet Laureate 

Désirée Zamorano

Andrew Wessels

Ruth Nolan

Roberta H. Martinez

Elline Lipkin

Robin D.G. Kelley

Sesshu Foster

Keily Sahagun 

Emilia Cabrales

Open Mic Readers

Jenari

 Mary Fitzpatrick

Beverly Lafontaine

Jerry Nashel

Natalia Hinojos

Susan Auerbach


 
Young poets chat with a Poet Laureate while their English teacher looks on joyfully.